Tuesday 28 February 2012

South Indian Temple Architecture....a guest post by Bharathi Palle

Although my blog predominantly emphasises on Interior Styling and Decoration, I cannot stop myself from sharing some architectural wonders. The temples of India tops this list and I always stand for hours admiring the intricately carved pillars, the ornately decorated ceilings, the carved facade depicting historic stories and the Gopurams (Towers) colourfully painted. Here is one such experience shared by my cousin Bharathi Palle, whom I have always admired for her wonderful writing skills. This temple is located in the Southern State of Andhra Pradesh and is called as the; 
Penchalakona NarasimhaSwamy Temple.  
Our gods are just like we humans. Sometimes they are happy, at other times sad, or just plain angry. Actually they can become extremely angry, really engulfed by rage, when evil tries to rule over good. Lord Vishnu was in a rage when he took the avatar of Lord Narasimha to come down to earth to overcome the demon Hiranyakashyapa. The demon had been terrorizing people on earth and no one could deal with him except for God himself. The two parts of the God's avatar name Nara (man) and Simha (lion) explain the God's state of mind and appearance, that of half man and half lion. In fact his anger was that of a wronged wild beast. Even after slaying the evil demon, God's anger did not abate. He was wandering the earth under the grip of intense emotions when a kind gentle Goddess took pity over this restless divine spirit. She appeared as a tribal woman of the forest, Chenchu Lakshmi. She embraced Lord Narasimha, directed him to the waters of a soothing river, and cooled his anger down. He was so happy to be calmed, he decided to stay there permanently by the side of the river and solidified into a rock. This is the story of how the Penchalakona Narasimhaswamy temple came to be by the side of the Kandaleru river. The image of the God in the temple is swayambu or the self made rock image of Lord Narasimha. Today it is covered in a layer of fine bronze metal
with exquisitely carved features. The Goddess Chenchu Lakshmi lives within this image of God as one with him. This is the tradition of every Hindu temple, the innermost chamber is called the garba griha or womb chamber and the Gods that dwell in this chamber have both the male and female aspects entwined within themselves. Thus they are able to give birth to positive energy to heal the people who come to them for succor.

Before we enter the temple of Penchalakona, the most striking thing is its location against a backdrop of gorgeous hills. In Hindu tradition, hills attract and are a source of positive energy. When a temple is constructed on or in front of a hill, the positive energy of the hill reinforces the positive energy of the Gods within the temple. We are welcomed into the temple by a tall tower or gopuram. The height of the gopuram symbolizes the generosity of the local rulers who contributed money for the 800 year old temple's construction. Statues of lions sit guard over the entrance - a lion in Hindu culture is brave, loyal, and strong. Guardians called dwarapalikas or those who dwell in the door welcome us into the temple. We enter the temple to be greeted by huge mounds of flowers used to decorate the God as well as serve as offerings to the God. These flowers are grown in a temple owned garden.

There are several huge bronze statues scattered around in the temple premises. These are called utsava murthys or images of celebration. Once a year or more frequently, these images, which represent Lord Narasimha, are taken in a procession outside the temple so that all the people from local villages and towns can pray to the God who comes to their doorstep. It is not necessary for us to visit God every time, sometimes he comes to us. The garba griha is off limits to everyone except the priest who serves to draw the attention of the God to our prayers. The God's eyes are enhanced by bright paint on the bronze cover. This makes it look as if the God is looking at us directly. We make our prayers and leave. Outside the temple, there are several cows wandering about. In Hinduism the cow or gow is next to mother in her kindness and giving nature. The temple conducts early morning gow puja or prayers and feeds the 24 cows that live in the temple compound.

Outside, we also see images of Lord Vishnu's symbols Shanku Chakra or conch and wheel. The child God Krishna plays with a serpant in another statue. All Gods are one but we can always picture our own favorite version of God. We left Penchalakona enriched by the positive energy of the temple and the hills behind it. Penchalakona is about 90 kms from the town of Nellore in Andhra Pradesh.

Thank you so much for this wonderful piece of writing Bharathi. 
Readers, please leave a comment if you have read this post and liked it as much as I did putting it together.

Tuesday 7 February 2012

Concept creation to Execution - my work in progress...

 Do you remember this concept board that a I created few days back???
A contemporary bedroom with a photo wallpaper from Somanathapura (Photo - from my album)

Here are some 3D views of the same concept created for execution.

Hope you all liked it !!!!

Monday 6 February 2012

Home Tour - Vidya & Jagan's Eclectic Home

Good Morning Readers!!!!

Here are a few pictures of my sister's home in California. The beautifully done eclectic home reflects the warmth in this house.

Hope you all enjoyed this home tour !!!!!
Enjoy your week !!!!!

Thursday 2 February 2012

Introducing a Maestro Artist ....Mr. B.P.Karthik

I am very happy to introduce a maestro in Art (Oil Paintings on Canvas). He is my friend's father Mr. B.P.Karthik.  His works include Abstract and Figurative art. The uniqueness of his art is the depth in his paintings. There are times when I have sat for hours looking at his paintings. The strokes range from bold to hazy engaging the viewer's eyes. I admire his fusion style of paintings and his portrayal of Buddha. Take a look at his collection on his website here.


These are a just a few of his works. Please visit his website to see more of his works.